list of works: SCIENK

finished pieces

Sagan

This is a visual exploration of the famous pronouncement by Carl Sagan, "We are made of starstuff." The work transcends the quote's poetic beauty, rather using it as a launchpad to investigate the quantum reality of matter and existence. The core assertion is a challenge to our perception of separation: if matter is mostly 'empty space' and defined by fluctuating energy fields, how truly separate are we from the cosmos - or from one another? This is an exercise in intellectual and visual fragmentation, inviting you to question the solid borders of self.

Sagan I/II: made of starstuff

Sagan II/II: made by starstuff

list of works: SCIENK

works in progress

at the temporal edges

at the temporal edges I/II: the big bang at la cucaracha

at the temporal edges II/II: the big rip tardigrade tabberas

wormhole wanderlust

wormhole wanderlust I/II: leaving the study

wormhole wanderlust II/II: destination Katthult

tea time at the Jung's

tea time at the Jung's I/II: basking in the sun

tea time at the Jung's II/II: lurking in the shadows

cloud chaos theory

cloud chaos theory I/II: cumulus balloon dog

cloud chaos theory II/II: cirrhus lungs

child logics

child logics I/II: fig 1. climate change flower canon

child logics II/II: flower power, patent pending

crash course models of evolution


crash course models of evolution I/II: the white moose of Värmland

crash course models of evolution II/II: guppies in Trinidad streams

list of works: SCIENK

at concept level

9 circles

9 circles I/II: heaven

9 circles II/II: hell

alternate dimensions

alternate dimensions I/II: 3Ds in 2Ds

alternate dimensions II/II: 4Ds in 3Ds

communication dyscourse

with entropy in mind

  • I/II: made of starstuff

    Here, the human form emerges from a vibrant chaos of elemental forces. The painting juxtaposes detailed realism with abstract energy to expose the inherent emptiness that underlies all substance. The subject's face is a temporary pattern defined by the same star-forged particles that define the nebulae.

    The work is designed to evolve; when viewed in darkness, a luminescent pattern is revealed. It's ambiguous design functions less as a motif and more as a psychological mirror reflecting the viewer's own subconscious state.



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  • II/II: made by starstuff

    This piece acts as an inversion of Sagan I/II and explores the idea of definition through absence. A silhouette of a man is created not by substance, but is instead implied by surrounding, swirling cosmic forces - the figure is a void defined only by its energetic boundary. This work argues that some aspects of the human condition are defined purely by inference and contrast.

    The canvas becomes a study in levels of perception: while ambient light renders the void as a flat black field, bright light reveals subtle relief and hidden facial features within the shadow. Like its counterpart, this painting contains a concealed luminescent matrix, ensuring the piece continues its conceptual dialogue even when the visible light fades.

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  • I/II: the big bang at la Cucaracha

    “La cucaracha” is one of the most utterly improbable achievements in galactic catering, a temporal inverse to the literary restaurant Milliways. It does not exist at the Big Bang, how even could it - before the concept of space? That is absurd! No, it pops into being within the infinitesimally small sliver of time (t<0) just before the Universe actually got around to getting started on starting up. Obviously.

    The building materials are rather simple: a reclaimed pissoir picked up on e-bay. Said pissoar was then turned into a restaurant and subjected to a full retro-temporal projection and compression field. However, like its literary equivalent,
    the mechanistics involved are ridiculously complex:

    To exist in the moment before existence, the restaurant is encased in a Singularity-proximity field (patent pending). The negative-time displacement bubble is not meant to
    withstand the crushing weight of a Black Hole - rather, it resists the negative pressure of non-existence. This allows “la Cucaracha” to occupy space-time during a state of “imminent possibility” just on the outskirts of the t=0 event.

    Crucially, the existence of the restaurant hinges on self-annihilation. Its presence in the moment of the Big Bang creates a severe temporal stress fracture. In fact, it is theorized that the cataclysmic implosion that ensues is what triggers the singularity to expand - it is the Big Bang itself. This also means that “la Cucaracha” only exists precisely because it must be instantly destroyed so that the Universe can be created; the destruction retroactively guarantees its moment of existence.

    And yet, cockroaches will be cockroaches; the destruction of “la cucaracha” is barely an inconvenience. If you ever thought that these pesky beasts seem to have been around forever - they literally have. In fact, the first guests of the grand opening of “la Cucaracha” are also its founding fathers. Building the restaurant was a project so vast that it took countless generations of their descendants and billions of years to reverse engineer how it was even made. Fun fact: future patrons continue to populate the newborn Universe by surviving the self-annihilation process and that is why there are so many goddamn cockroaches everywhere! They are outlived only by tardigrades, but more on that later.

    The whole operation is, as all critics agree, patently impossible - which is also the main argument as to why “la Cucaracha” exists.

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  • II/II: the big rip tardigrade tabberas

    The Universe begins with a spectacular disaster but ends with a casual picnic.

    The cockroaches, for all their improbable genius, survived the birth of the Universe by riding the initial explosion - a messy affair that resulted in them and their descendants being scattered throughout the newborn cosmos. They exist in time, forever stuck inside the boundaries of their closed time loop of self-perpetuating birth.

    Tardigrades, however, are a different animal. They represent the culmination of cosmological selection pressure and have evolved from mere biology to being the one truly universal constant. Though you might have heard about cryptobiosis, one particular aspect of this fabled “tun” state is less well known: that of stubborn temporal denial and cosmic apathy.

    At the Big Rip, when the Universe is finally torn apart and the binding forces of matter fail… the tardigrades simply activate their “temporal apathy field” and step out of time, leaving the collapsing cosmos behind like a dreary social event. They float in the true void, impervious to the trillions of suns being ripped to shreds because they are no longer participating in the physics that governs those events. Perhaps this is the greatest lesson - the most resilient creature in the cosmos does not fight for survival, it merely waits for the fight to be over.

    When the tardigrades gather for their final tabberas, they are not mourning the Big Rip. They are celebrating the simple fact that, for them, another Universal Cycle has run its course. They unpack their tiny blankets, sip their tiny beverages and munch on tiny patisseries. All while casually witnessing the disintegration of “existence”.

    And then they simply pause their own existence and wait - not for the end of the current Universe, but for the infinitesimal moment right before the next one begins. At which point, they step back in, utterly unscathed, still mildly damp, and without having missed a single thing. Their true survival mechanism is an elegant and simple philosophy: If you aren't participating in time, you can't be subject to its end.

    Tardigrades are the silent, surprisingly polite, bowler-hatted architects of cosmic persistence.


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